Taking a brief detour from steampunk costuming to post an anime costume I did for a friend for the 2012 New York Comic Con. He wanted to go dressed as Washi, from the anime Haibane Renmei - which presented a bit of a challenge for me, since I don't really follow anime or know much about it. But I can work from a picture!
The original character can be seen here:
When constructing the outfit, we tracked down multiple pictures of the costume, from all angles, to try and construct the parts. The hardest part turned out to be the wings - we wanted something that would look really good, but also have a degree of stiffness to protrude from his back. Ultimately, I decided that a good 9/10 oz leather would work best, dyed in a dark brown (I used bison brown from Tandy Leather). We also used leather for the mask, painted white and with small holes cut out for the eyes and mouth. You can see below, where we created a template of the mask in paper, traced onto the leather, and then cut out along the lines.
The body costume was sewn from dark grey linen, using a variation of a classic t-tunic, and the headdress was also made from a neutral linen with embroidered symbols. To make the symbols, we used a fabric pen to trade them onto the fabric, and then wool embroidery floss in a stem stitch to make the symbols themselves. The dots are French knots. The ribbon was basic black grosgrain ribbon, 1" width, attached with fusible.
For the center piece, we used black trigger cloth and then sewed grey trigger panels to it in 7" rectangles, cutting a square hole for the neck. Since this was likely the part of the costume that would take the most abuse, we wanted to use something cheaper than linen and fairly durable. I used my sewing machine to satin stitch the blocks to the black fabric.
The attachments to the hood were made with natural flax thread, attached to wooden beads and bits of shell beads (we had a hard time finding bone beads). The tassels were made in a coordinating grey using DMC floss, and just cut into basic small tassels. And finally - the finished product!
A blog all about steampunk costuming - sewing instructions, leatherworking, and basic costuming how-tos to create new outfits or alter existing characters to the steampunk concept.
Monday, January 21, 2013
Thursday, January 17, 2013
How to Make a Leather Top Hat
Making a top hat is a somewhat time consuming, but also very
rewarding, experience. Not only will you
learn a good deal about construction and assembly, but you’ll wind up with a
hat fitted to exactly your head measurements – which makes for a more pleasant
wearing experience overall! Plus by the
time you finish, you will not only have a truly original hat, you’ll really
value it from having made it yourself.
These instructions are based on making a leather top
hat. They can be largely followed for
using other fabrics or materials, though the supply list would vary
accordingly.
Supplies:
- One roll of 4/5 oz leather – this will give you a hat that is sturdy but not too heavy
- Bendable ruler, at least 2’ in length (and ideally 3’)
- Metal ruler or straight edge
- Rotary or box cutter
- Leather scissors
- Leather dye in the color of choice for hat
- Sharpie, pen, or other tracing pencil
- Safety beveler
- Draft puncher, 1/8 or 1/16th
- Mallet (to pound holes with above)
- Cutting board (to place below leather as you punch your holes
- Awl thread
- Large darning or needlepoint needle (dull tip, not sharp!)
- Drafting calipers, set to a half inch
- Water sprayer bottle
- Small binder clips
Making the Brim
Pattern:
Take the flexible ruler and measure your head
exactly. Measure at the place you intend
your hat to sit. Shape and mold the
ruler to fit your exact head shape, and hold it like that.
3. Determine how large of a brim you want, and measure out.
4. Trace out brim on the outside of the circle, in the width you want your brim.
5. Cut out brim.
a.
For men, if you want a flat brim this is the
same size all the way around the brim.
b.
For men or women, if you want a folded or curved
brim along the sides, add a bit more width on each side, making more of an
oblong circle – the extra length is needed when you go to curl the brim up.
c.
For women, if you plan on wearing a scarf around
your hat with the tails draping off the back, you will want to extend the extra
width around the back of the hat as well, to allow a decent platform for the
scarf to drape down.
Gents or Ladies Flat
Brim
-
Cut approximately 1 to 1½” evenly all around the
head measurement
Ladies Brim with
Folded Sides and Tail Scarf
-
Cut approximately 1 to 1 ½” at front and 2 to 2
½” around sides and back
Gents or Ladies Brim
with Folded Sides
-
Cut approximately 1 to 1 ½” at front and back
and 2 to 2 ½” around sides
Making
the Sides Patterns:
6. Determine how tall you want the crown of your
hat to be. Remember to be measuring from
wherever you want the hat to sit on your forehead! If you are just making your first hat and
want a reasonable height without being too tall, shoot for around 4-5”.
Stovepipe
Instructions
a. If
you want a completely vertical, “stovepipe” style top hat, take the
circumference of your head as measured in step 1 and add an inch for seam allowance.
b. Determine
the height of your crown, and add an inch for seam allowance.
c. Draw
a rectangle to these measurements (circumference of head plus 1” as the length,
and height plus 1” as the height.)
d.
Cut out one rectangle. This is your crown pattern.
Angled Crown
a. For
a slightly angled crown, then you will draft and cut a slight trapezoid shape,
with the sides each tapering in slightly.
Be cautious, as you may not want too steep an angle! You can angle your crown inwards or outwards,
depending on your style preference.
b. The
bottom width of your trapezoid will be HALF the circumference of your head plus
1” seam allowance.
c. The
top width of your trapezoid will be either slightly larger, or slightly
smaller, depending on if you want a crown that angles slightly inwards or
outwards.
d. Determine
the height of your crown and add 1” seam allowance.
e.
Cut out two trapezoids. (For the pattern drafting stage, you only
need to cut out one and then trace it twice onto the leather.)
a. If
you want a hat crown shaped like an hourglass, then you take the circumference
of your head as measured above, and divide by four. Add 1” to this for seam allowance. This will be the bottom length
measurement. (This hat pattern requires
four pieces.)
b. Determine
the height you want for your crown, as above, and add 1” for seam allowance.
c. Determine
if you want the top width to be the same as your head circumference or
larger/smaller. If the same, use the
same number in step 11a, above.
d. Determine
how much you want your hat to curve inwards from your crown, and divide by
4. (So for example, if your head
circumference is 24” and you want your hat to be 4” narrower at its center
crown, then you would take 24”-4” to get 20”.
Divide by 4, so in this case 5”, then add 1” for seam allowance.)
e.
Cut four hourglass-shaped pieces, based on the
measurements above.
8. If you are making the trapezoid version of the hat, angled slightly inwards or outwards, then take the measurement of the top width, double it (since this was cut based on two pieces for the sides), and trace that measurement on the outside of your head circumference. Add ½” seam allowance with the calipers, and then cut one.
9. If you are making the hourglass version of the hat, take the top width of your pattern shapes, quadruple it (since this was based off four pieces for the sides), and trace that measurement on the outside of your head circumference. Add ½” seam allowance with the calipers, and then cut one.
Cutting
Out Your Leather:
11. Lay out your pattern pieces on the leather section, with the rough side facing up towards you.
12. Before cutting, make sure to look over the smooth side of the leather and place your pieces on the leather you want in your hat. If there are any marks or imperfections you want to avoid, then do not mark out your pattern pieces in that section!
a. If
you are doing a stovepipe hat, you will have three pieces – one crown, one
brim, and one top.
b. If
you are doing an angled crown, you will have three pieces but need to cut TWO
crown pieces for a total of one brim, one top, and two crowns.
c.
If you are making an hourglass crown, then you
will finish with SIX total pieces of leather cut – cut one brim, one top, and
then FOUR crown pieces. Just trace out
your pattern piece four times.
Sewing
the Pieces Together
13. Next, it’s time to prepare the edge of the leather for seam allowances and sewing. You will want to take your beveling tool and run it across EACH edge you will be sewing to thin down the leather along all of your ½” seam allowances. So, this will include the inside edge of your brim, the outside edge of your top, and then all four edges of your crown pieces.
14. BE VERY CAREFUL! Beveling tolls are very dangerous and have a very sharp blade! Use all good rotary cutting rules, making sure to always keep your thumb in when pulling the tool towards you to avoid injury if you slip.
15. Exert a fair bit of pressure, but not too much – your goal is to thin the leather along the sewing edges enough to make it fold nicely, but not so much that you cut all the way through the leather.
16. Now it’s time to begin assembling and sewing them together.
17. Take your draft puncher, and punch along the height side of your crown piece(s).
18. Thread the awl thread through your needle, and cut off a generous length.
19. Sew the crown together, with the pieces overlapping. (The ½” seam allowance will overlap one section on top of the other.) You should be sewing so that the smooth side of the leather (the outside of the hat) is facing you when the cylinder is complete.
13. Next, it’s time to prepare the edge of the leather for seam allowances and sewing. You will want to take your beveling tool and run it across EACH edge you will be sewing to thin down the leather along all of your ½” seam allowances. So, this will include the inside edge of your brim, the outside edge of your top, and then all four edges of your crown pieces.
14. BE VERY CAREFUL! Beveling tolls are very dangerous and have a very sharp blade! Use all good rotary cutting rules, making sure to always keep your thumb in when pulling the tool towards you to avoid injury if you slip.
15. Exert a fair bit of pressure, but not too much – your goal is to thin the leather along the sewing edges enough to make it fold nicely, but not so much that you cut all the way through the leather.
16. Now it’s time to begin assembling and sewing them together.
17. Take your draft puncher, and punch along the height side of your crown piece(s).
18. Thread the awl thread through your needle, and cut off a generous length.
19. Sew the crown together, with the pieces overlapping. (The ½” seam allowance will overlap one section on top of the other.) You should be sewing so that the smooth side of the leather (the outside of the hat) is facing you when the cylinder is complete.
a. For
the stovepipe, simply match the two sides together to form a cylinder, and sew
using a running stitch going up and then back down.
b. For
the angled crown, sew piece A to piece B on one edge, then B back to A on the
next edge to form a cylinder.
c. For
the hourglass top hat, sew the four pieces together.
d. For
added embellishment, you can use a cross stitch to form large Xs in place of
the running stitch.
20. Now comes the tough part – sewing the crown to
the top. The good news is, this is the
toughest part of hat construction – so once you’ve done this, it’s all
downhill!
21. Take the water bottle, and liberally douse the top oval with a good spritz of water, to soften (but not soak) the leather. Working along the ½” seam allowance, begin bending the leather edge inwards, towards the rough side and away from the smooth side, at a 90 degree angle.
22. Once you’ve finished, spritz the crown of the hat along the sides to dampen slightly, and fold inside out so the smooth side of the leather is now inside the cylinder and the rough side is facing outwards.
23. Once the crown has been turned inside out, take your binder clips and use them to attach the top (with the smooth side facing down, or into the cylinder) to the crown of the hat. I recommend clipping it in four points – not so many clips you damage the leather, but not so few that the leather pieces can wiggle around or slip.
' 24. Take the cutting board and place it beneath one of the now clipped edges. Next, take your mallet and draft puncher, and begin carefully punching holes along the two top edges – one along your top’s seam allowance and going right through to the top edge of the crown’s seam allowance.
25. When you have gone all the way around, stitch the two pieces together using the awl thread and needle, with the same running stitch used when attaching the crown pieces. You may want to take small breaks, as this can be a very tricky process.
26. When you have finished sewing the top to the crown, knot off your thread.
27. Soak the entire crown and top fairly generously with the water spritzer bottle, then CAREFULLY turn the hat outside in, so that the smooth side of the leather is now on the outside, facing you. Both the top and all the pieces of the crown should have the smooth leather side exposed.
28. Next, we sew the brim to the crown. Place the crown top-down, so the top is sitting on your workbench.
29. Punch holes along the inside edge of your brim’s seam allowance for sewing holes.
30. Take your brim, and with the rough side facing you spritz the inside edge seam allowance with water. Bend at a right angle towards you. (In general, you want the smooth side of the hat facing downwards, away from the crown. While this might seem counter-intuitive at first, it will make sense when you begin molding and shaping the hat – this allows the smooth side to be more exposed for hats where the sides are folded up, since unless you are very short people will not be looking down at your brim.)
31. Once you have the sewing edge folded, place the brim down over the crown bottom, and with a pen or Sharpie first mark a specific point on each piece (I use the back since it will be easily hidden) – this allows you to match both pieces up exactly again while sewing. Next, carefully make a dot on the crown at each point where you punched a hole in the brim, along the seam allowance of the two pieces.
32. Next, remove the brim and carefully use the draft puncher to punch out holes on each of the dots/places you marked from the brim holes.
33. Reattach the brim, and hold the two pieces in place using binder clips as with the crown and top.
34. Sew your brim, along the inside edge, to your crown.
21. Take the water bottle, and liberally douse the top oval with a good spritz of water, to soften (but not soak) the leather. Working along the ½” seam allowance, begin bending the leather edge inwards, towards the rough side and away from the smooth side, at a 90 degree angle.
22. Once you’ve finished, spritz the crown of the hat along the sides to dampen slightly, and fold inside out so the smooth side of the leather is now inside the cylinder and the rough side is facing outwards.
23. Once the crown has been turned inside out, take your binder clips and use them to attach the top (with the smooth side facing down, or into the cylinder) to the crown of the hat. I recommend clipping it in four points – not so many clips you damage the leather, but not so few that the leather pieces can wiggle around or slip.
' 24. Take the cutting board and place it beneath one of the now clipped edges. Next, take your mallet and draft puncher, and begin carefully punching holes along the two top edges – one along your top’s seam allowance and going right through to the top edge of the crown’s seam allowance.
25. When you have gone all the way around, stitch the two pieces together using the awl thread and needle, with the same running stitch used when attaching the crown pieces. You may want to take small breaks, as this can be a very tricky process.
26. When you have finished sewing the top to the crown, knot off your thread.
27. Soak the entire crown and top fairly generously with the water spritzer bottle, then CAREFULLY turn the hat outside in, so that the smooth side of the leather is now on the outside, facing you. Both the top and all the pieces of the crown should have the smooth leather side exposed.
28. Next, we sew the brim to the crown. Place the crown top-down, so the top is sitting on your workbench.
29. Punch holes along the inside edge of your brim’s seam allowance for sewing holes.
30. Take your brim, and with the rough side facing you spritz the inside edge seam allowance with water. Bend at a right angle towards you. (In general, you want the smooth side of the hat facing downwards, away from the crown. While this might seem counter-intuitive at first, it will make sense when you begin molding and shaping the hat – this allows the smooth side to be more exposed for hats where the sides are folded up, since unless you are very short people will not be looking down at your brim.)
31. Once you have the sewing edge folded, place the brim down over the crown bottom, and with a pen or Sharpie first mark a specific point on each piece (I use the back since it will be easily hidden) – this allows you to match both pieces up exactly again while sewing. Next, carefully make a dot on the crown at each point where you punched a hole in the brim, along the seam allowance of the two pieces.
32. Next, remove the brim and carefully use the draft puncher to punch out holes on each of the dots/places you marked from the brim holes.
33. Reattach the brim, and hold the two pieces in place using binder clips as with the crown and top.
34. Sew your brim, along the inside edge, to your crown.
Finishing
the Hat
You’re nearly completed! The final steps in the top hat making process
is to mould, and then dye, your beautiful new hat.
35. To
begin moulding your hat, liberally spray it with water. You’ll want it to be fairly wet, though not
soaking – spray it thoroughly until the leather seems more flexible.
36. Shape
your hat into the desired shape.
a. For
stovepipe hats, there may not be much shaping involved, other than trying the
hat on to make sure it fits your head properly.
b. For
folded brim hats, you will want to work the leather along the sides, curling
the brim up towards the top of the hat, until you have the desired look and
shape that you want.
37. Once
you’ve gotten your hat into its proper shape, either put in the oven at VERY
low heat (for gas stoves, turn to the lowest setting and then when the oven
reaches that heat, turn it off.) You can
also use a blow dryer to remove most of the excess water. If you’re willing to wait a day or two, you
can leave it out to dry on its own as well.
38. Once
the hat has dried, fit it again to make sure the fit is correct. If not, repeat steps 42 and 43.
39. Now
it’s time to dye. Using the dye color
you chose, start rubbing the leather dye onto the leather in small, circular
motions. Depending on the depth of color
desired, two coats of dye may be required.
40. Allow
the dye to dry thoroughly.
41. Finally,
take your leather waterproofing spray, and spray the hat thoroughly so the
color affixes and will not run in bad weather.
42. Allow
to dry thoroughly.
At
this point – you have a beautiful, custom-made leather top hat! Feel free to enjoy it as it is, or to
embellish or decorate as you wish.
a. You
can use the draft puncher to add a few more holes along the brim or edges and
hang chains or other fobs, or use a riveter to add various brass or copper
embellishments.
b. If
you want to add a ribbon trim along the lower crown and/or feathers, the sky is
your limit! Tuck in any feathers or
other mementos (my husband is fond of playing cards) into the ribbon along the
base, on the side of the hat.
c.
Finally, if you want to attach a scarf, simply
take a long and narrow length of cloth and wind it along the front of your hat,
leaving the edges or tails trailing down the back of the hat. Knot into place, and voila!
If you've managed to make it this far, huzzah! I do tend to be wordy - which is good for teaching hand-on, and bad for blogging. However, if you'd like the Word document version of these instructions, please feel free to email me at jadavisdc@gmail.com. All I ask is that you credit me as the author if you distribute them! Thank you.
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